Coming. The Academy Ughs. A small red carpet will lead directly to
the can. But only to the ladies’ room — because it’s fie and foo to our
male foes.
We’re up in arms (covered after a certain age) and once female
slow-learners learn sex without Tom, Dick or Irving, it’s gone with that
whole masculine tribe. Delivering packages? Mailwomen. Redoing a
kitchen? Contractorettes. Changing homes and need moving men? Moving
ladies. Eff all those moves dudes were making.
And toilets with unmovable seats? Freedom!
Which, for some reason, brings up this year’s really quiet Oscars.
“The Shape of Water.” Specialists, crabbing that awards now have
nothing to do with content, say the win’s fishy. Might swim with the
sharks. Not everyone’s insane for a film about a fish. The thing’s
staying quiet, and so’s Sally Hawkins.
Frances McDormand? Great triple threat starting back in those “Fargo”
days, but those who know — not me — say being unglamorous doesn’t help
the top prize.
Timothée Chalamet. Too young — 22. The kid can’t believe his luck. He
knows he’s a nonwinner — but also knows his biggie “Beautiful Boy” is
coming right behind. So’s his Woody Allen one that’s stalled in terms of
release.
At premieres, beach parties, wine-soaked dinners and business meetings, the topic du jour at this year’s Cannes Film Festival:
Trump. Buyers and sellers, studios executives and stars confess they’re
glued to their smartphones, waiting for email alerts and updates on the
latest White House scandal.
“I’m obsessed with it,” said Stuart Ford, CEO of sales and production
company IM Global. “The first thing I do in the morning is check the
news. The last thing I do at night is check the news.”
Some of the films searching for distribution along the Croisette
grapple directly or indirectly with Trump and the populism that fueled
his rise. Buyers are circling “Promised Land,” a documentary by Eugene
Jarecki that centers on a cross-country trip against the backdrop of the
2016 presidential election. Michael Moore also Skyped in for a talk
with Harvey and Bob Weinstein on Friday to whet buyers appetites for
“11/9,” an anti-Trump documentary.
Even films that don’t have an explicit connection to Trump allude to
his stormy presidency. Focus Features chairman Peter Kujawski introduced
“Pope Francis: A Man of Word,” a documentary about the Catholic leader,
by saying, “At a time when our political leaders seem to be doing
little actual leading, we have to look to others for guidance.” Trump
was not mentioned by name, but it was clear whom he was talking about.
Todd Haynes, director of “Wonderstruck,” which premiered at the
festival, said he had an “obsessive compulsion” about staying aware.
“It’s almost a weird way of relaxing,” he said. “I don’t know how
that’s the case, but I just have to turn it on. I just have to know
what’s happening and hear it…These are monumental times, dangerous
times, that I think we’re in.”
The web has changed things for the news-obsessed, making it easier to stay connected.
“I see alerts that pop up in my phone,” said Tom Bernard, co-founder
of Sony Pictures Classics.
“Much better than the old days here before
the internet. Then you had to wait until the Herald Tribune hit the
newsstand and get the news a day late.”
There’s certainly a lot to digest. A week that started with the revelation that President Donald Trump
had revealed classified information in a meeting with Russian diplomats
in the Oval Office has hurtled towards its conclusion at a dizzying
pace, with new bombshells hitting within hours of each other. Each day
has has brought fresh fodder for the cycle — from reports that Trump
tried to convince fired FBI chief James Comey to drop an investigation
into ex-National Security Advisor Michael Flynn to the appointment of a
special prosecutor to investigate Trump’s possible ties to Russia.
With a six-hour time difference between the French Riviera and
Washington, D.C., the eye of the scandal, it can be hard to know what’s
being missed. That’s led to frustration on the part of some
news-watchers, and lots of late nights of scrawling through websites or
watching CNN to try to learn the latest development.
“It is a bit unsettling to feel like I don’t know what is happening,
but know that seemingly big and important things are happening,” said
Mimi Steinbauer, president and CEO of Radiant Films Intl.
“I’m watching Rachel Maddow at some point before I go to bed or in the morning to get caught up,” she added.
At cocktail parties, the hot dish isn’t about what films are selling,
but what’s the latest with Comey, Flynn, and the other president’s men
whose names keep bubbling up. Talk of Trump and his travails has
inevitably seeped into press conferences and presentations. Jake
Gyllenhaal used the “Okja” premiere to declare his support for the
special prosecutor. “I’m very excited about the appointment of Robert
Mueller,” he told journalists at an event that is usually more about
recounting on-set antics than Beltway happenings.
Some festivalgoers are taking advantage of the geographic remove to tune out the 24/7 news cycle and cable news bloviating.
“Jet lag and the time difference help us stay away, at least for a
beat, from the hourly and daily updates, which we are constantly aware
of at home,” said Uri Singer, president of Passage Pictures.
Most of the executives feeling the need to get their Trump news fix
are Americans, bewildered or alarmed by the unorthodox president. For
foreigners, Trump’s antics are familiar, reminiscent of strongmen
leaders or banana republic despots.
“This is a typical politician of the contemporary world: populistic
and irresponsible. But we know this kind of politician very well,”
Alexander Rodnyansky, the producer of the Russian film “Loveless,” which
plays in the Cannes competition.
When he meets Americans, Rodnyansky, familiar with life under Vladimir Putin, has a message.
“‘Welcome to our world,” he tells them.
Leo Barraclough and Stewart Clarke contributed to this report.
LOS
ANGELES — Oscar voters showered the neo-musical “La La Land” with 14
nominations on Tuesday, a tie with “Titanic” and “All About Eve” for the
most in Academy Award history. But the academy also moved past two
#OscarsSoWhite years by honoring six black actors — a record — and
including diverse films like “Moonlight,” “Fences” and “Hidden Figures” in the best picture race.
Nine movies will compete for Hollywood’s top prize, including several
box-office hits. Joining “La La Land” and “Moonlight” (eight nominations
total), “Fences” (four), and “Hidden Figures” (three) in the best
picture race were “Arrival,” a science-fiction thriller; the
cops-and-robbers drama “Hell or High Water”; the subtitled tear-jerker
“Lion”; “Manchester by the Sea,” about a mournful New England handyman;
and “Hacksaw Ridge,” Mel Gibson’s true story of World War II heroism.
In
a surprise, Mr. Gibson also drew a nomination as best director,
officially ending his 10-year status as a Hollywood pariah for his
offscreen behavior. Filling out the directing field were Damien Chazelle
(“La La Land”), Denis Villeneuve (“Arrival”), Barry Jenkins
(“Moonlight”) and Kenneth Lonergan (“Manchester by the Sea”).
There
were other surprises. “Arrival” emerged as one of the most-honored
films, with support in eight categories, but its star, Amy Adams, failed
to receive a nod for best actress. Instead, her slot likely went to the
newcomer Ruth Negga for her understated performance in “Loving.”
Joining her were Isabelle Huppert from the French film “Elle,” Emma
Stone from “La La Land,” Natalie Portman from “Jackie” and Meryl Streep
from “Florence Foster Jenkins.”
Photo
Denzel Washington and Viola
Davis in “Fences.” Mr. Washington was nominated for best actor and Ms.
Davis for best supporting actress.Credit
David Lee/Paramount Pictures, via Associated Press
In
an embarrassing glitch, a website managed by the academy and ABC, which
broadcasts the Oscars, initially listed Ms. Adams as a nominee instead
of Ms. Negga. An overeager ABC staffer made the mistake, according to an
academy official. It was quickly corrected.
In
a sharp contrast to the previous two years, when the academy put
forward all-white rosters of acting nominees, voters chose the largest
number of black candidates ever. Mahershala Ali and Naomie Harris each
received a nod for their supporting work in “Moonlight.” Viola Davis
(“Fences”) and Octavia Spencer (“Hidden Figures”) were also nominated
for supporting actress. Joining Ms. Negga in the lead categories was
Denzel Washington of “Fences.”
The Indian actor Dev Patel was nominated for his supporting role in
“Lion.” Jeff Bridges from “Hell or High Water,” Lucas Hedges from
“Manchester by the Sea” and Michael Shannon from “Nocturnal Animals”
rounded out the supporting actor nominees.
More Than One on the Ballot
In 1940 Hattie McDaniel became the first African-American
performer to be nominated for an Oscar (she won best supporting
actress). Others followed but it wasn’t until 1968 that two or more
black performers were nominated in the same year. In subsequent Oscar
races, one movie would often be responsible for multiple nominations.
This year, six black actors and actresses — in four different films —
were nominated, a record.
Years in which more than one black actor or actress received an Oscar nomination
’65
Actor
Supporting Actor
Actress
Supporting Actress
Winner
’70
Beah Richards ("Guess Who's Coming to
Dinner") goes up against Carol Channing ("Thoroughly Modern Millie"),
who revealed her African-American heritage years later.
’75
Cicely Tyson and Paul Winfield are both nominated for “Sounder.”
Whoopi Goldberg, Margaret Avery and Oprah Winfrey are all nominated for “The Color Purple.”
’80
Morgan Freeman (”Street Smart”) and Denzel Washington (“Cry Freedom”) compete for supporting actor.
’85
Two years later, Freeman and Washington are both nominated again. Washington wins for “Glory.”
Laurence Fishburne and Angela Bassett are nominated for “What’s Love Got to Do With It.”
’90
Denzel Washington in “Training Day” beats out Will Smith in “Ali.” Halle Berry wins for “Monster’s Ball.”
’95
Jamie Foxx wins for “Ray” against Don Cheadle
in “Hotel Rwanda.” Foxx is also nominated for his supporting role in
“Collateral,” but loses to Morgan Freeman.
’00
Forest Whitaker wins for “The Last King of
Scotland” against Will Smith in “The Pursuit of Happyness.” Jennifer
Hudson wins for “Dreamgirls.”
’05
Gabourey Sidibe and Mo’Nique are both nominated for “Precious.” Mo’Nique wins.
Viola Davis and Octavia Spencer are both nominated for “The Help.” Spencer wins.
’10
Chiwetel Ejiofor and Lupita Nyong’o are both nominated for “12 Years a Slave.” Nyong’o wins.
’15
2016: Denzel Washington and Viola Davis are both nominated for “Fences”; Mahershala Ali and Naomie Harris for “Moonlight.”
The
Indian actor Dev Patel was nominated for his supporting role in “Lion.”
Jeff Bridges from “Hell or High Water,” Lucas Hedges from “Manchester
by the Sea” and Michael Shannon from “Nocturnal Animals” rounded out the
supporting actor nominees.
Photo
Taraji P. Henson, far left, Octavia Spencer and Janelle Monáe in “Hidden Figures,” which was nominated for best picture.Credit
Hopper Stone/20th Century Fox Film Corporation
Joining
Mr. Washington as best actor nominees were Ryan Gosling for “La La
Land,” Viggo Mortensen for “Captain Fantastic,” Casey Affleck for
“Manchester by the Sea” and Andrew Garfield for “Hacksaw Ridge.”
Photo
Amy Adams and Jeremy Renner in “Arrival,” which was nominated for best picture.Credit
Jan Thijs/Paramount Pictures
Pundits will inevitably declare that the academy listened to the #OscarsSoWhite protests that found the Rev. Al Sharpton berating Hollywood
in a preceremony rally last year. Public pressure may well have been a
factor, but the outcome, in truth, may have more to do with the vagaries
of moviemaking: a full slate of high-quality movies with diverse casts
that coalesced in the past year.
For
the first time in memory, the academy did not unveil its nominations at
a news conference attended by entertainment journalists. Instead,
reporters were bypassed — no chance for academy officials to be peppered
with uncomfortable questions that way — and the nominations read
without an audience in a presentation broadcast on Oscars.com, “Good Morning America” and other platforms.
Photo
Ruth Negga, second from right, and Joel Edgerton, right, in “Loving.” Ms. Negga received a best actress nod.Credit
Ben Rothstein/Focus Features
The
favorite by far going in was “La La Land,” the show-business musical
directed and written by Mr. Chazelle and starring Ms. Stone and Mr.
Gosling. “La La Land” collected a record seven prizes at the Golden Globes,
and the film has the benefit of being about Hollywood’s favorite topic —
itself.
(Recent best picture winners with entertainment-industry
backdrops have included “The Artist” and “Birdman.”)
The
rules allow the best picture category to have as many as 10 or as few
as five nominees, depending on how voters spread their support. (There
were eight last year.)
The
academy entrusted its previous ceremony to the producers Reginald
Hudlin and David Hill, who brought in Chris Rock to scold Hollywood on
diversity and created a cable-news-style scrawl in an ill-advised
attempt to make acceptance speeches more interesting. Ratings dropped,
and ABC, which broadcasts the ceremony and charges $2 million for a
30-second commercial, moved to take a firmer hand in this year’s
telecast. Jimmy Kimmel, who anchors ABC’s late-night programming block, was selected as host.
Here are some of the biggest titles and names that were passed over this morning:
Taraji P. Henson – The Empire star is the heart and soul of Hidden Figures, and
while her co-star Octavia Spencer got a Supporting Actress nom, the
cookie did not crumble for last year’s Best Actress – TV Series Drama
winner. Tom Hanks – The Sully
star could not land the plane with the HFPA – which is almost as
incredible as the real-life events of the Clint Eastwood-helmed pic,
which missed out on directing and best pic noms too. Fences – No best pic or best director for
Denzel Washington — though the Oscar winner did get a best actor nom and
Viola Davis got one for best supporting actress. Matthew McConaughey – The Gold star and
past Globes and Oscar winner just didn’t glitter enough for the Golden
Globes this time, though the Iggy Pop co-written title tune from the
Stephen Gaghan-directed flick did. Martin Scorsese –Silence is the acclaimed
director’s passion project but the historical spiritual drama couldn’t
raise a mummer for the Oscar winner or stars Adam Driver and Andrew
Garfield – the latter was given a nom for his Hacksaw Ridge work however. Sausage Party – With a title that
immediately raises more than eyebrows, the animated pic co-written and
co-starring Seth Rogen was the first CGI-animated pic to be rated R by
the MPAA and obviously was not a delicacy to the HFPA. Michael Shannon – The Nocturnal Animals actor received a nomination for 99 Homes last year but his role in the much-nominated Tom Ford directed pic didn’t make the light of day. Jeffrey Dean Morgan –The Walking Dead never gets any real recognition from the HFPA, but The Good Wife and Grey’s Anatomy alum’s turn as villain Negan on the AMC blockbuster garnered a Critics’ Choice Award last night and deserved at least a shout-out this morning. Emily Blunt – The star of The Girl On The Train did not get a ticket to her sixth nomination today. The noms train should not have left the station without her. Unbreakable Kimmy Schmidt – After a strong Season 2, the Ellie Kemper-led Netflix comedy was un-nominated today — in all categories. Michael Keaton –The Founder star was not on the morning menu. Brian Tyree Henry –Atlanta was hot today in the HFPA’s eyes, but the pivotal Paper Boi actor was left out in the cold – and that’s not peachy. House Of Cards – Looks like Kevin Spacey, Robin Wright and the Netflix political drama were not holding the right deck. Helen Mirren – Not even a look for the Eye In The Sky star? Better Things – the Pamela Adlon and Louise C.K. FX comedy is poignant, often hilarious, and sometimes so true if feels more like a documentary on modern L.A. life and family – but neither the show nor its lead landed a nomination. Warren Beatty – The legend’s Rules Don’t Apply obviously did not need apply this year for either its director-star or the film itself. Gilmore Girls: The Netflix A Year In The Life reboot was all
atwitter on Twitter during the Thanksgiving weekend so you’d think the
Hollywood Foreign Press would want to seem a little populist. Alas, even
with Lauren Graham a 2001 Best Actress nominee there was no Globes
cream in the coffee of Stars Hollow this year. Mr. Robot – Last year’s Best Drama winner
came back with more intrigue in its second season and even snared best
actor and best supporting actor noms for Rami Malek and Christian Slater
today. Even with that, the series was surprisingly off the list. Milo Ventimiglia –This Is Us is the only Big 4 breakout show this season, but no Supporting Actor hug for its TV Dad.
Empire – The Lyons of the Fox blockbuster did not roar this morning – shut out! Kevin Costner – The three-time past Golden Globe winner blasts off with some of his best work as the barrier-discarding space-race boss in Hidden Figures – sadly it remains hidden glory. Black Mirror – Once prophetic, the Charlie
Brooker anthology satire became virtually breaking news regarding our
troubled relationship with technology with its third season on Netflix.
Guess the 90-plus members of the HFPA weren’t plugged in. Silicon Valley – Hold on, the HBO tech comedy was nominated the past two years, but today the power was turned off? The King’s Choice – Norway’s Oscar entry
about the real-life monarch who stood up to the Nazis invasion is a
story now largely forgotten outside of the Scandinavian nation. The
HFPA totally forgot it today. Luke Cage – Marvel’s latest Netflix series about Harlem’s bulletproof hero seemingly crashed the streaming service the weekend it launched, had strong performances from lead Mike Colter as well as Mahershala Ali (who was recognized for his Moonlight role) and Rosario Dawson — plus a killer soundtrack by Adrian Younge and Ali Shaheed Muhammad. And yet nothing. Genre bias?
His selection is expected to be announced by producers Michael De Luca and Jennifer Todd.
After a long wait this year, Jimmy Kimmel has been set as Oscar host, The Hollywood Reporter has learned. The comedian will host the 89th Oscars show, to be broadcast live by
ABC on Feb. 26, sources said. His selection is expected to be announced
by producers Michael De Luca and Jennifer Todd, who came aboard to
produce the high-profile event just last month. It will be the first
time hosting the Oscars, the granddaddy of all awards show, for Kimmel,
who's been the face of ABC's late night telecast since his Jimmy Kimmel Live! launched in 2003. Disney/ABC Television Group chief Ben Sherwood had publicly urged the
Academy to consider handing the high-profile gig to Kimmel. In August,
the Academy of Motion Picture Arts and Sciences struck a new deal with
ABC, which pays about $75 million a year to broadcast the Oscars, to
extend the agreement until 2028. As part of the pact, ABC got more
creative input on the show, including the choice of producers and host,
although the Academy retained final say on the decisions. Kimmel has
emceed the Emmys twice, in 2012 and this past September. While he won good reviews for hosting the 68th Primetime Emmys on
Sept. 18, ratings fell to an all-time low of 11.3 million viewers. The
Oscars aims for a much bigger audience. The most recent ceremony, which
Chris Rock hosted in February, attracted 34.3 million total viewers,
which was considered a disappointment, since it ranked as an 11-year low
for the Oscar-cast. Kimmel also has regularly piggy-backed on the Oscar
broadcast, with ABC airing a Jimmy Kimmel Live: After the Oscars special immediately following the awards ceremony.
Mel Gibson earned a directing nomination for 'Hacksaw Ridge,' which had seven noms.
The modern-day musical La La Land danced
to the top of the list of film nominations for the 22nd annual Critics'
Choice Awards, announced today by The Broadcast Film Critics
Association.
The pastel-hued tale of a guy and gal who fall in love against a
Hollywood backdrop scored 12 noms, including best picture, best actor
for Ryan Gosling, best actress for Emma Stone and best director and
original screenplay for Damien Chazelle. In addition to a clutch of
craft nominations, it also earned a best score nom for Justin Hurwitz
and two song nominations for its tunes “Audition (The Fools Who Dream)”
and “City of Stars.”
The contemplative sci-fi movie Arrival and the coming-of-age drama Moonlight
were close behind, with ten nominations each, including best picture
and best director for Denis Villeneuve and Barry Jenkins, respectively. Manchester by the Sea earned eight noms, followed by Hacksaw Ridge with seven and Doctor Strange, Fences, Hell or High Water, Jackie and Lion, all with six.
In addition to La La Land, Arrival and Moonlight,
the ten best picture nominees voted by the BFCA — which is comprised of
more than 300 film critics in the U.S. and Canada, working in TV, radio
and online — include Fences, Hacksaw Ridge, Hell or High Water, Lion, Loving, Manchester by the Sea and Sully.
The winners will be revealed live at the Critics’ Choice Awards ceremony, hosted by T.J. Miller,
which will be broadcast from the Barker Hangar in Santa Monica by
A&E on Dec. 11. Trophies will also be handed out in television
categories that were previously announced.
Not only did the war saga Hacksaw Ridge secure noms in both
the best picture and best action movie categories, but Mel Gibson was
rewarded with a directing nom, finding a slot alongside his fellow
actor-turned-director Denzel Washington for Fences as well as Chazelle, Villeneuve, Jenkins, Hell or High Water's David Mackenzie and Manchester by the Sea's Kenneth Lonergan.
In addition to directing, Washington scored a second nominations for acting in Fences. Lonergan was a double nominee for writing and directing Manchester, as was Jenkins for his work on Moonlight and Chazelle for his on La La Land.
The nominees for best animated feature consisted of Finding Dory, Kubo and the Two Strings, Moana, The Red Turtle, Trolls and Zootopia, while the best foreign-language nominees encompassed Elle, The Handmaiden, Julieta, Neruda, The Salesman and Toni Erdmann.
No mention was made of The Birth of a Nation, widely hailed
as a sure-fire awards contender when it first bowed at last January’s
Sundance Film Festival only to hit a wall when the media turned its
attention to a 1999 rape case in which writer/director Nate Parker, who
was ultimately acquitted, was involved. Also among the missing was
Martin Scorsese’s Silence, which has not yet begun to screen widely for critics, and Gareth Edwards’ Rogue One: A Star Wars Movie, which is still under wraps.
A complete list of the Critics Choice Awards film nominations follows:
Best Picture
Courtesy of Toronto International Film Festival
Best Actor
Keith Bernstein/Warner Bros.
Casey Affleck – Manchester by the Sea Joel Edgerton – Loving Andrew Garfield – Hacksaw Ridge Ryan Gosling – La La Land Tom Hanks – Sully Denzel Washington – Fences
Best Actress
Pablo Larraín/Twentieth Century Fox Film Corporation
Amy Adams – Arrival Annette Bening – 20th Century Women Isabelle Huppert – Elle Ruth Negga – Loving Natalie Portman – Jackie Emma Stone – La La Land
Best Supporting Actor
Courtesy of Toronto International Film Festival
Mahershala Ali – Moonlight Jeff Bridges – Hell or High Water Ben Foster – Hell or High Water Lucas Hedges – Manchester by the Sea Dev Patel – Lion Michael Shannon – Nocturnal Animals
Best Supporting Actress
David Lee/Paramount Pictures
Viola Davis – Fences Greta Gerwig – 20th Century Women Naomie Harris – Moonlight Nicole Kidman – Lion Janelle Monáe – Hidden Figures Michelle Williams – Manchester by the Sea
20th Century Women Fences Hell or High Water Hidden Figures Manchester by the Sea Moonlight
Best Director
Courtesy of Cosmos Filmed Entertainment
Damien Chazelle – La La Land Mel Gibson – Hacksaw Ridge Barry Jenkins – Moonlight Kenneth Lonergan – Manchester by the Sea David Mackenzie – Hell or High Water Denis Villeneuve – Arrival Denzel Washington – Fences
Best Original Screenplay
Claire Folger/Courtesy of Amazon Studios and Roadside Attractions
Damien Chazelle – La La Land Barry Jenkins - Moonlight Yorgos Lanthimos/Efthimis Filippou – The Lobster Kenneth Lonergan – Manchester by the Sea Jeff Nichols – Loving Taylor Sheridan – Hell or High Water
Best Adapted Screenplay
Courtesy of Merrick Morton Universal Pictures International
Luke Davies – Lion Tom Ford – Nocturnal Animals Eric Heisserer – Arrival Todd Komarnicki – Sully Allison Schroeder/Theodore Melfi – Hidden Figures August Wilson – Fences
Best Cinematography
Paramount Pictures
Stéphane Fontaine – Jackie James Laxton – Moonlight Seamus McGarvey – Nocturnal Animals Linus Sandgren – La La Land Bradford Young – Arrival
Best Production Design
Jaap Buitendijk/Warner Bros.
Arrival – Patrice Vermette, Paul Hotte/André Valade Fantastic Beasts and Where to Find Them – Stuart Craig/James Hambidge, Anna Pinnock Jackie – Jean Rabasse, Véronique Melery La La Land – David Wasco, Sandy Reynolds-Wasco Live by Night – Jess Gonchor, Nancy Haigh
Best Editing
Courtesy of David Bornfriend/A24
Tom Cross – La La Land John Gilbert – Hacksaw Ridge Blu Murray – Sully Nat Sanders/Joi McMillon - Moonlight Joe Walker – Arrival
Best Costume Design
Courtesy of Paramount Pictures
Colleen Atwood – Fantastic Beasts and Where to Find Them Consolata Boyle – Florence Foster Jenkins Madeline Fontaine – Jackie Joanna Johnston – Allied Eimer Ni Mhaoldomhnaigh –Love & Friendship Mary Zophres – La La Land
Benedict Cumberbatch – Doctor Strange Matt Damon – Jason Bourne Chris Evans – Captain America: Civil War Andrew Garfield – Hacksaw Ridge Ryan Reynolds – Deadpool
Ryan Gosling – The Nice Guys Hugh Grant – Florence Foster Jenkins Dwayne Johnson – Central Intelligence Viggo Mortensen – Captain Fantastic Ryan Reynolds – Deadpool
Best Actress in a Comedy
Photofest
Kate Beckinsale – Love & Friendship Sally Field – Hello, My Name Is Doris Kate McKinnon – Ghostbusters Hailee Steinfeld – The Edge of Seventeen Meryl Streep – Florence Foster Jenkins
Audition (The Fools Who Dream) – La La Land Can’t Stop the Feeling – Trolls City of Stars – La La Land Drive It Like You Stole It – Sing Street How Far I’ll Go - Moana The Rules Don’t Apply –Rules Don’t Apply
Best Score
Paramount Pictures
Nicholas Britell – Moonlight Jóhann Jóhannsson – Arrival Justin Hurwitz – La La Land Micachu – Jackie Dustin O’Halloran, Hauschka – Lion
