By Rex Reed
Casey Affleck in Manchester by the Sea. Amazon Studios
I had high hopes that 2016 at the movies would be like every other
year—they’d save the best for last. Sadly, no miracles occurred and it
went down in history as one of the sorriest years ever. Blame free
internet streaming, pretentious critics who abhor anything with a plot,
new kids on the block who don’t know how to make movies with flair,
focus or narrative continuity, the death of style, the growth of
alternate TV programming, or any of a number of other alarming factors.
The fact remains, movies are no longer what they used to be and nobody
cares. Some observers predict the cultural force that informs our
development from the advent of childhood is already a thing of the past.
The year that just passed is such convincing proof that I found it a
challenge as daunting as a degree in aeronautical physics just to form a
10 Best List. You won’t find such critical favorites as the deadly Moonlight or the seriously overrated mediocrity Toni Erdmann on it, and my begrudgingly last-minute inclusion of the flawed, uninspired, unoriginal and creatively disappointing La La Land is merely a half-hearted attempt to support the rebirth of movie musicals. So it was a penurious year, but here goes:
The Ten Best Films of 2016
Michelle Williams and Casey Affleck in Manchester by the Sea. Amazon Studios
Rex Says:
This is haunting, life-affirming filmmaking you will not forget. The
details, the observations, the nuances, the revelations—they all add up
to a masterful narrative structure and a beautifully textured reality I
cannot praise highly enough.
2. Hell or High Water
Ben Foster and Chris Pine in Hell or High Water. Lorey Sebastian/CBS Films
Andrew Garfield as Desmond Doss. Mark Rogers
Rex Says:
Mel Gibson recreates the life of an extraordinary patriot at a time
when a troubled world, guided by a sadly compromised American
leadership, could use a role model. The one who redefined the word hope
on Hacksaw Ridge is a good place to start.
Michael Fassbender and Alicia Vikander in The Light Between Oceans. Walt Disney Studios
Rex Says: The Light Between Oceans is so
vast and covers so much ground that any feeble attempt to tell you what
happens in it only weakens the impact. Clearly it’s a work of art that
must be experienced, not explained—intelligent, deeply heartfelt and one
of the best films of the year.
Dev Patel in Lion. Mark Rogers/The Weinstein Company
Rex Says: Once in awhile, a movie comes along that
is so touching and sincere, without a moment of false emotion or
manipulative self-indulgence, that it establishes squatters’ rights and
moves into your heart to stay. Cynics who prefer waterboarding to
shedding a tear usually misread such movies and falsely label them
sentimental. They are fools, and filmgoers desperate for anything that
makes them actually feel something ignore the doomsayers and often
propel such movies to box-office glory. Lion is that kind of picture. See it and I promise your own heart will skip a beat with happiness and joy.
Denzel Washington as Troy Maxson and Viola Davis as Rose Maxson. Paramount Pictures
Rex Says: Fences is a labor of love and
attention must be paid. You don’t get writing or acting of this caliber
every day, and in this particularly dreary year of second-rate
everything, this movie is something special.
Viggo Mortensen stars in Captain Fantastic. Photo: Erik Simkins / Bleecker Street
Rex Says: Despite a frustrating fizzle of a finale,
it’s a movie that enthralls the senses and engages the mind for two
hours, proving no movie is too long when you’re having fun.
Natalie Portman as Jacqueline Kennedy Onassis. Fox Searchlight Pictures
Rex Says: Never embroidered or rehearsed, the way so
many biopics are, this is a wonderful movie that feels freshly
observed, like an uninvited peek through some forbidden White House
keyhole, at the woman we called Jackie.
Rachel Weisz as Deborah E. Lipstadt in Denial. Laurie Sparham/Bleecker Street
Rex says: Another illuminating performance by Rachel Weisz and a
brilliant screenplay by the distinguished British playwright David Hare
make Denial one of the most powerful and riveting courtroom dramas ever made.
Emma Stone as Mia and Ryan Gosling as Sebastian in La La Land. Summit Entertainment
Rex says: La La Land has moments of
pleasure and satisfaction that are worth the price of admission. It’s
not that it’s a bad movie; it’s just not an outstanding entertainment,
the way great movies (especially musicals) should be. But I hope it
signals an open door for more to follow.
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