LOVITZ SAYS OBAMA MOCKERY DREW DEATH THREATS

Jon Lovitz spent much of George W. Bush’s presidency doing what nearly all of his peers did – making fun of the Commander in Chief.

And no one said a peep.

When the “Saturday Night Live” alum chided President Barack Obama for saying the rich don't pay their fair share earlier this year, he ended up letting a security escort walk him to his car.

Lovitz tells Big Hollywood that his now infamous podcast rant against Obama’s class warfare rhetoric led to death threats left on the voice mail of his Universal City-based comedy club.

“I know where you eat,” one message warned.

The comedian, who owns the Jon Lovitz Comedy Club and Podcast Theatre, says he isn’t concerned about his safety. He is riled up, however, about the media, his fellow Democrats and why questioning the president’s policies means complete strangers now accuse him of being a racist.

The wide-ranging discussion with Big Hollywood also touched on his evolving views on business and the public's reaction to his Obama critiques.

The real story, as Lovitz sees it, is how the press is going after comedians. He praised two conservative media outlets for their coverage of his Obama comments.

“Your site and Twitchy.com, they get the humor. The Huffington Post … their comedy guys have no sense of humor and their headlines are lying,” he says. The latter referenced Lovitz’s guest hosting gig for fellow “SNL” star Dennis Miller on the latter’s weekday radio program.

We never said we wished more comedians would mock Obama, but that’s the way The Huffington Post’s headline read, he explains.

Lovitz also got called a racist for critiquing the president, even though he’s never been associated publicly with any racially insensitive comments. It particularly galls him since one of his next projects is co-starring on “Mr. Box Office,” a new television series with a mostly black cast.

“I don’t see the president as black or white. He’ a man,” Lovitz says, adding he's frustrated by his own party rushing to slap a racist label on him.

"What I find bizarre is how the quote liberals are bringing up race ... saying, 'shut the fuck up.' I find them so close minded. I thought you were liberal," he says. "You should be tolerant of everybody whether they agree with you or not."

Lovitz also takes issue with organizations like GLAAD which pounce on comedians for saying politically incorrect material on stage.

“They don’t understand irony and sarcasm. They take what [comedians] say literally … it’s ridiculous,” he says.

Lovitz hasn’t received any specific feedback, good or bad, from his fellow comedians after the fallout from his Obama comments.

“They’re not not supportive,” he says. The everyday people he meets had a more vocal reaction.

“I can’t tell you how many people came up and thanked me,” he says.

Lovitz isn’t wanting for work these days, and he says his recent publicity hasn't hurt that. His current projects include the upcoming “Grown Ups 2,” the aforementioned sitcom, his comedy club and frequent stand-up appearances (he will appear Aug. 11 along with fellow "SNL" co-star Tim Meadows at the SRC Arena in Syracuse).

It's his chores as a comedy club owner which have given him insight into the current economic situation. He routinely asks fellow business owners how they're managing to make ends meet in this economy, and he usually gets a negative report back.

“I don’t think I really understood what the economy meant to the degree that I do now,” he says.

He’s not blaming Obama for that situation. He’s a registered Democrat, and his beef with the President doesn’t mirror what Miller says on his nationally syndicated radio show. Lovitz is more outraged by Obama's soak the rich rhetoric, which he thinks is a cheap distraction from bigger issues.

Lovitz isn’t primarily known as a political humorist. Sure, he memorably played Michael Dukakis during his stint on “SNL,” but he’s better known for his liar character, Tommy Flanagan, as well as donning a cheap red jumpsuit to play the devil on the NBC sketch show.

More recently, he’s supplied sturdy supporting work in 2010's “Casino Jack” and will voice Quasimodo in next month's animated feature "Hotel Transylvania."

Between acting gigs, Lovitz will keep on speaking what he sees as truth to power, no matter what the reaction may be.

“I meant what I said ... I said what I said to make people laugh,” he says. “I expressed myself In a humorous way.”

“Sometimes,” he adds, “the best way to make ‘em laugh is to show ‘em how you honestly feel.”

Marvin Hamlisch, Composer of ‘A Chorus Line,’ Dies at 68

WRLTHD Entertainment news
By DAVE ITZKOFF

Marvin Hamlisch, the singularly productive and sensationally decorated composer of musicals like “A Chorus Line” and songs like “The Way We Were,” has died, his family said Tuesday through a representative. He was 68.
A statement said that Mr. Hamlisch collapsed after a brief illness and died on Monday in Los Angeles but did not provide additional details.

In a career that spanned film, television, theater and recorded music, Mr. Hamlisch won seemingly every award available in each medium. He was a 12-time Academy Award nominee, for his score and song contributions to films as varied as “The Spy Who Loved Me” and “Sophie’s Choice” and a three-time Oscar winner for the score of “The Sting” as well as the score from “The Way We Were” and its title song (with lyrics by Alan and Marilyn Bergman). He won four Emmy Awards, four Grammy Awards and a Tony Award for his score to the musical “A Chorus Line.” That musical, which blended bouncy, brassy songs like “One” and “Dance: Ten; Looks: Three” with melancholy numbers like “At the Ballet,” also won the Pulitzer Prize for Drama in 1976.


As recently as last month, Mr. Hamlisch was working on a musical adaptation of the Jerry Lewis comedy “The Nutty Professor,” for which he wrote the score. His press representatives said he was also working on a new Broadway musical called “Gotta Dance,” and had written the score for a coming HBO movie, “Behind the Candelabra,” about the life of Liberace.

According to his biography at his official Web site, Mr. Hamlisch held the title of principal pops conductor for the Pittsburgh Symphony Orchestra, the Milwaukee Symphony Orchestra, the Dallas Symphony Orchestra, the Pasadena Symphony and Pops, the Seattle Symphony and the San Diego Symphony.

In an interview in July, Mr. Hamlisch discussed the emotional investment he put into each piece of music he composed.

“I’m not one of those people who says, ‘I never read reviews,’ because I don’t believe those people,” Mr. Hamlisch said. “I think they read ‘em. These songs are my babies. And I always say, it’s like having a baby in a hospital, taking a Polaroid and going up to someone and saying, ‘What do you think?’ And he goes, ‘I give you a 3.’ That’s what criticism is like. You’ve worked on this thing forever — ‘I give you a 3.’ And it’s part of you. That’s the bargain you’ve made.”

Marvin Hamlisch graciously taking time to meet fan Ray Tharaldson

Connecticut beaches closed so Obama can fund-raise with Hollywood mogul

Beachgoers, get lost. 
Amid the peak summer season, two of Connecticut’s popular public beaches -- maintained with taxpayer money -- will close Monday to accommodate President Obama’s fundraising excursion that ends with a $35,800-per-plate event at movie mogul Harvey Weinstein’s mansion. And Republicans aren't happy about it. 
The  238-acre Sherwood Island State Park will be closed so the president’s helicopter can land and then take off after a day-long trip that begins in Stamford.
The other beach, the roughly two-acre Burying Hill Beach, is adjacent to Weinstein’s mansion and is owned by the town of Westport. Both beaches border the Long Island Sound.
"This is the height of hypocrisy," state House Minority Leader Lawrence F. Cafero Jr. told FoxNews.com. 
Cafero, a Norwalk Republican, said he was so shocked to hear the parks would be closed to accommodate Obama's fundraisers that he immediate double-checked his information.
"Purely political," he said. "Can you imagine if George W. Bush in 2004 had requested that our Republican governor shut down the park? It would have made national news. This is wrong in so many ways."
This is not the first time the state park has been closed so a president could use it as an airport for reelection fundraisers in southwest Connecticut.
President Bill Clinton used the Sherwood park twice for trips that included fundraising events. He landed there in 1998  for a series of events that included a fundraiser that reportedly raised $350,000 for his party. A year later, the park was closed for much of the day for Clinton, who attended a fundraising luncheon for the Democratic National Committee and the Women's Leadership Forum that reportedly raised more than $400,000.
Obama is scheduled to begin his trip to Connecticut with a fundraiser at the Stamford Marriott Hotel, then attend Weinstein's evening fundraiser that is reported to include such celebrities as Anne Hathaway, Aaron Sorkin, Joanne Woodward and Vogue editor Anna Wintour.
Beyond forcing beach-goers to swim elsewhere on a hot summer day, the state will also lose daily parking fees -- $9 for in-state visitors and $15 for out-of-state cars, critics say.
"I don't like to inconvenience the public to any degree," Westport Selectman Gordon Joseloff said Monday. "But I understand that security is paramount." 
Joseloff, a Democrat, said he's already gotten phone calls about local tax dollars being spent on additional security and that beach-goers are being turned away "as we speak."

Marilyn Monroe's mysterious death still fascinates after 50 years


One of Los Angeles' most enduring and debated death mysteries began 50 years ago today.


On Aug. 5, 1962, the body of Marilyn Monroe was found in the bedroom of her Brentwood home. The 36-year-old movie star was naked and face down on her bed.
An autopsy conducted by Dr. Thomas Noguchi, then deputy medical examiner for Los Angeles County, concluded that death was due to acute barbiturate poisoning, and a psychiatric team tied to the investigation termed it a "probable suicide."
Whether Monroe died by her own hand has been debated and dissected by books, documentaries, conspiracy theorists and Hollywood and Washington insiders alike for years.
Enough credence was given to the various reports that in 1982, the Los Angeles County district attorney's office reexamined the case.
The D.A.'s review concluded that "the cumulative evidence available to us fails to support any theory of criminal conduct relating to her death."
The Times investigated the questions surrounding Monroe's death in this story from 1995:
Through the years, questions have been raised about whether she was murdered because of her association with John and Robert Kennedy; the exact time the actress' body was discovered; where she got the pills that killed her; and why an ambulance was dispatched to the scene when official reports indicate that she was lifeless when found.
In 2005, The Times looked at what officials have learned about her final days.
Tell us your memories of Monroe and her thoughts on the debate over her death.

Vertigo is named 'greatest film of all time'

Alfred Hitchcock's Vertigo has usurped Orson Welles's Citizen Kane as the greatest film of all time in a poll by the BFI's Sight and Sound magazine.
The magazine polls its experts once a decade - and Citizen Kane has been their top pick for the last 50 years.
This time, 846 distributors, critics, academics and writers chose Hitchcock's 1958 suspense thriller, about a retired police officer with a fear of heights.
Starring James Stewart and Kim Novak, Vertigo beat Citizen Kane by 34 votes.
In the last poll 10 years ago, it was five votes short of toppling Kane.
Hitchcock called it his most personal film and it sees the director tackle one of his recurring themes - love as a fetish that degrades women and deranges men.
It opens with police officer Scotty Ferguson (Stewart) retiring from the police force after his vertigo inadvertently leads to the death of a colleague during a rooftop chase.
He is then hired by an old friend, whose wife Madeleine (Novak) has been behaving strangely.
As the story plays out against a glistening San Francisco skyline, there are dozens of twists and revelations that challenge the audience's preconceptions about the characters and events.
It has become famous for a camera trick Hitchcock invented to represent Scotty's vertigo: A simultaneous zoom-in and pull-back of the camera that creates a disorientating depth of field, known as a "dolly zoom" or "trombone shot".
Like 1941's Citizen Kane, Vertigo received mixed reviews on release but has grown in stature as time passed.
Silent films
The BFI's list contained few surprises, with the top 10 mostly representing a reshuffle of the 2002 list - and all of the films more than 40 years old.
Yasujiro Ozu's Tokyo Story from 1953 was ranked third, bettering its last placement of number five, while Jean Renoir's La Regle du jeu dropped one place from three to four.
CRITICS TOP 10 FILMS OF ALL TIME
1. Vertigo (Hitchcock, 1958)
2. Citizen Kane (Welles, 1941)
3. Tokyo Story (Ozu, 1953)
4. La Regle du jeu (Renoir, 1939)
5. Sunrise: a Song for Two Humans (Murnau, 1927)
6. 2001: A Space Odyssey (Kubrick, 1968)
7. The Searchers (Ford, 1956)
8. Man with a Movie Camera (Dziga Vertov, 1929)
9. The Passion of Joan of Arc (Dreyer, 1927)
10. 8 ½ (Fellini, 1963)
Source: Sight & Sound
The two new entries in the top 10 were both silent - Dziga Vertov's Man With a Movie Camera (1929) at number eight, and Carl Theodor Dreyer's The Passion of Joan of Arc (1927) at nine.
The most recent film in the top 10 was Stanley Kubrick's 2001: A Space Odyssey (1968) at six.
The top British film was The Third Man which came in at number 73.
For the poll, the panel voted for 2,045 films overall.
They were asked to interpret "greatest" as they chose - whether the film was most important to film history, aesthetic achievement or personal impact on their own view of cinema.
"This result reflects changes in the culture of film criticism," Nick James, the editor of Sight and Sound said.
"The new cinephilia seems to be not so much about films that strive to be great art, such as Citizen Kane, and that use cinema's entire arsenal of effects to make a grand statement, but more about works that have personal meaning to the critic.
DIRECTOR'S TOP 10 FILMS
1. Tokyo Story (Ozu, 1953)
=2 2001: A Space Odyssey (Kubrick, 1968)
=2 Citizen Kane (Welles, 1941)
4. 8 ½ (Fellini, 1963)
5. Taxi Driver (Scorsese, 1976)
6. Apocalypse Now (Coppola, 1979)
=7 The Godfather (Coppola, 1972)
=7 Vertigo (Hitchcock, 1958)
9. Mirror (Tarkovsky, 1974)
10. Bicycle Thieves (De Sica, 1948)
Source: Sight & Sound
"Vertigo is the ultimate critics' film because it is a dreamlike film about people who are not sure who they are but who are busy reconstructing themselves and each other to fit a kind of cinema ideal of the ideal soul mate."
Meanwhile, in a separate poll run by the magazine involving 358 film directors, Ozu's Tokyo Story was voted the Greatest Film of All Time.
Again Citizen Kane was knocked down to number two, a place it shared with Kubrick's 2001: A Space Odyssey. Vertigo took seventh place.
Directors including Martin Scorsese, Quentin Tarantino, Francis Ford Coppola, Woody Allen and Mike Leigh participated in the poll.
The full results of the polls will be published in Sight and Sound's September issue.

Los Angeles to Study Tax Breaks for Studios

The Street
Posted:   07/31/2012 11:05:41 PM PDT

Fearful that Los Angeles will lose more television pilots to New York, the City Council on Wednesday called for studies on how to reduce or eliminate city taxes on film and TV production.

"We have been working for the last decade to make sure we keep productions in Los Angeles," said Councilman Eric Garcetti, who chairs the council's Jobs and Business Development Committee.

"We have seen the blockbuster films leave Los Angeles ... but now we are seeing a loss of television production."

Under the proposal, the city would look at eliminating taxes on all pilot productions - the number of which has dropped significantly.

"We've seen a major decline in all filming production," said Paul Audley, president of Film LA. "But we are down to 42 percent of all pilots for television. It is not only frightening, it is abysmal.

"And we hear the mayor of New York saying it will be the entertainment capital in a decade. Unfortunately, it is bearing out."

Audley said the Garcetti proposal is important because it is more likely for a show that shoots its pilot in Los Angeles to stay in the city if it is picked up.

Councilman Joe Buscaino
said the city needs to make sure it keeps production local.

"New York says it wants to be the entertainment capital of the world," Buscaino said. "Not going to happen."

Councilman Richard Alarcón said part of the problem is persuading Northern California legislators that the tax breaks are important.

"They have a tough time understanding that the incentives bring back more money than they cost," Alarcón said. "They should look at us, mostly liberal Democrats, who support these motions."

Audley agreed, adding his group has conducted studies that show the state earns more in new revenue than the cost of the tax incentives.

rick.orlov@dailynews.com
213-978-0390
twitter.com/rickorlov

Gore Vidal American Intellectual, Author And Playwright Dies At 86

By HILLEL ITALIE
In a world more to his liking, Gore Vidal might have been president, or even king. He had an aristocrat's bearing – tall, handsome and composed – and an authoritative baritone ideal for summoning an aide or courtier.

But Vidal made his living – a very good living – from challenging power, not holding it. He was wealthy and famous and committed to exposing a system often led by men he knew firsthand. During the days of Franklin Roosevelt, one of the few leaders whom Vidal admired, he might have been called a "traitor to his class." The real traitors, Vidal would respond, were the upholders of his class.
The author, playwright, politician and commentator whose vast and sharpened range of published works and public remarks were stamped by his immodest wit and unconventional wisdom, died Tuesday at age 86 in Los Angeles.
Vidal died at his home in the Hollywood Hills at about 6:45 p.m. of complications from pneumonia, his nephew Burr Steers said. Vidal had been living alone in the home and had been sick for "quite a while," Steers said.