Sagging NFL TV ratings leave owners scrambling for answers
HOUSTON — It’s an election year, silly.
That wasn’t the entire company line, but the impact of the dramatic presidential election cycle was certainly a prevailing sentiment as NFL owners gathered Tuesday for their quarterly meeting and assessed the league's unusual and precipitous dip in TV ratings.
Assuming the results aren’t, well, rigged, NFL games — the undisputed king of U.S. sports viewing — were down 11% for the first six weeks of the season when compared to a similar point last year.
Blame it on Hillary vs. Donald? Or a sign of deeper problems for the NFL?
“It’s a very muddied water right now because you’ve got obviously the debates going on and you have the Donald Trump show,” Atlanta Falcons owner Arthur Blank told USA TODAY Sports.
“That’s a lot of commotion right now. It’s pretty hard to figure out right now what’s real and what’s not.”
The first debate, which ran opposite of a Falcons-New Orleans Saints Monday Night Football matchup in late September, drew a record 84 million viewers. The second debate, coinciding with a New York Giants-Green Bay Packers Sunday night prime-time clash, had 69 million viewers.
“Obviously, the debates have had a big impact,” Houston Texans owner Robert McNair told USA TODAY Sports.
But the debates represent just the biggest of several suspected factors. Tom Brady served four games in Deflategate jail. Peyton Manning retired. The younger generation is increasingly watching games or clips streamed to mobile devices. Too many penalties. Unappealing prime-time matchups. Too many prime-time matchups.
Then there are the protests. The national anthem protests by players, ignited by San Francisco 49ers quarterback Colin Kaepernick’s mission to raise awareness about police brutality and social justice inequalities that victimize African Americans, has been a polarizing debate of its own on the NFL’s grand stage. Though the protests — from players like Kaepernick taking a knee, to players raising a fist, to players and coaches locking arms in unity — end when the games begin, they generate much discussion before and after the contests.
Still, the impact of the protests illustrates the power of the NFL’s reach.
“I think it’s the wrong venue,” Indianapolis Colts owner Jim Irsay told USA TODAY Sports. “It hasn’t been a positive thing. What we all have to be aware of as players, owners, PR people, equipment managers, is when the lights go on we are entertainment. We are being paid to put on a show. There are other places to express yourself.”
Irsay’s view is undoubtedly shared by other owners who frown on the protests drawing attention from their product. Given the intense backlash against Kaepernick, it’s plausible that people have turned away to protest the protests.
“People come to the game because they want to get away from what’s happening in their everyday lives,” McNair said. “When you bring those types of things into the scene, yeah, it will turn some people off. But the main thing we try to do is to say, ‘We recognize your concern. Let’s do something about it.’ "
It’s striking that the anthem protests, connected to other factors, are viewed as a variable that seemingly runs deeper than other recent crises. The NFL took tremendous PR hits with its domestic violence issues and concerns about the effects of concussions. But those serious issues seemingly didn’t have a major effect on the ratings.
Last year, NFL games represented 63 of the top 100 highest-rated TV shows. And though NFL viewership was up 27% over the previous 25 years, according to league figures, viewership for all prime-time viewing was down 36%, as TV-watching habits have changed.
It is way premature to suggest that the NFL is in trouble of losing its position as the nation’s most popular sport. Although Monday night’s New York Jets-Arizona Cardinals game drew a 6.2 overnight rating that was down 35% from a New York Giants-Philadelphia Eagles Monday nighter the previous year, it still dwarfed the 3.4 rating of the American League Championship Series game between the Cleveland Indians and Toronto Blue Jays. But you can believe that the league is taking the declining numbers seriously.
What if the lost viewers from this season never come back?
“That should be the NFL’s biggest fear,” consultant Marc Ganis of Sportscorp, Ltd., told USA TODAY Sports, adding that it took years for Major League Baseball to recover after a labor impasse wiped out the playoffs and the World Series in 1994.
“The ratings thing, we can’t ignore,” cautioned Blank, co-founder of The Home Depot.
He knows all about the impact of researching the fan base for clues.
“What’s going up? Where is the softness? How do you respond to that?” Blank said. “It’s no different from my days running The Home Depot, when we had markets where we didn’t get the response. We had to figure out why aren’t we getting customers in our stores here. It didn’t happen very often, but sometimes it happens.”
Now the NFL is similarly challenged to figure out how to best present its product.
Follow NFL columnist Jarrett Bell on Twitter @JarrettBell
Eddie Applegate, Actor on 'The Patty Duke Show,' Dies at 81
He portrayed Richard Harrison, the easygoing boyfriend of the Brooklyn-born Patty Lane, on the 1960s ABC sitcom.
Eddie Applegate, who played Richard Harrison, the high school boyfriend of Patty Lane, on The Patty Duke Show, died Monday. He was 81.Applegate died at a nursing home in Los Angeles after a long illness, his friend, Lizzie Maxwell, told The Hollywood Reporter.
Applegate appeared in 88 of the ABC sitcom's 104 episodes as Richard, who dated the
Brooklyn-born Patty (Duke). Of course, Duke also played an identical cousin, Cathy Lane, on the series, which aired from 1963-66.
In CBS' 1999 reunion telefilm, The Patty Duke Show: Still Rockin' in Brooklyn Heights, Applegate returned as Harrison; now, he was Patty Lane's ex-husband.
While starring in a Las Vegas stage production of Bye Bye Birdie, Applegate was approached by a producer to appear in the 1963 romantic comedy A Ticklish Affair, starring Shirley Jones, Carolyn Jones, Gig Young and Red Buttons.
A native of Wyncote, Pa., Applegate also appeared on such shows as The Many Loves of Dobie Gillis, The Lucy Show, Daktari, Gunsmoke and the short-lived comedy Nancy, created by Sidney Sheldon and featuring Celeste Holm.
More recently, Applegate played a grandfather in the Emma Stone starrer Easy A (2010) and appeared in the crime film Rain From Stars (2013). He also worked as an agent, artist and carpenter.
Survivors include his children Heather and Michael, their respective spouses Eric and Julie and grandchildren Jenna, Zack, Katie, Lauren, Kyle and Mia.
Jack Ma, Spielberg Strike Deal to Bring Hollywood to China
by Bloomberg News
It’s a casting director’s dream. Jack Ma, China’s richest man, and
the highest-grossing Hollywood auteur of all time have struck a deal to
work together to produce and finance films for the world’s
second-largest movie market.
Alibaba Pictures Group Ltd. is buying a stake in Amblin Partners, the production outfit backed by Steven Spielberg to work together on production, marketing and distribution both globally and in China. It’s the latest in a spree of deals over the past two years intended to help U.S. studios tap what could soon be the world’s largest box office, while hopefully imparting a little of that Hollywood movie-making magic to increasingly ambitious Chinese households.
The agreement with Spielberg’s storied studio marks Alibaba’s and Ma’s most comprehensive production effort to date. The company has been selective so far, preferring to invest in select films such as the latest installment of the “Mission Impossible” franchise, in return for an equity stake and the right to stream it across internet giant Alibaba Group Holding Ltd.’s various online services.
“Among Chinese consumers, there is an increasing demand for premium global content," Ma said in an e-mailed statement. "This collaboration can serve as a cultural bridge and have a positive impact on the next generation of Chinese consumers.”
“We intend to make six to nine movies a year, ” Amblin Partners President and Co-Chief Executive Officer Jeff Small said Sunday at a launch of the tie-up in a downtown Beijing skyscraper’s ballroom. The films would be distributed by a network that included Universal Pictures Ltd. China had the “fastest-growing demand in world.”
“There’s a lot in China that’s becoming more and more known, through media ... and China’s tremendous renaissance,” said Spielberg, who was part of a crew that shot the movie “Empire of the Sun” in Shanghai in the 1980s. He said he wants to “bring more of China to America and more of America to China."
Ma told the launch he’s not personally trying to envision movies of the future, but “my job is using technology to support these guys.”
China has been a focus for Hollywood studios in recent years as the U.S. film market has stagnated. In 2015, China’s box office totaled $6.8 billion, up 49 percent from the previous year, according to consulting firm Artisan Gateway. The North American box office had its biggest year in 2015 at $11.1 billion, according to the Motion Picture Association of America.
American studios have been looking to Chinese partners for funding and ways to maximize their revenue from a country that limits the number of foreign firms exhibited annually at 34. That aligns with the ambitions of a coterie of local media houses that are in turn trying to hone an ability to reach worldwide audiences, and hasn’t been shy about paying for it.
But the rapid pace of acquisitions has some in Washington spooked. Lawmakers have called for an overhaul of regulations to give the U.S. greater ability to scrutinize and block Chinese investment in U.S. media, as well as force lobbyists acting for the Chinese to register their interests.
In December, Spielberg brought new life to his production company DreamWorks Studios, renaming it Amblin Partners. The director of “E.T.,” the biggest-grossing director in history, raised $800 million in debt and equity from banks and partners Reliance Group, Participant Media and Entertainment One. As part of the deal, Amblin’s films will be distributed by Comcast Corp.’s Universal Pictures rather than Walt Disney Co.
Spielberg’s been honored with more than a dozen best-director and best-picture Academy Award nominations, winning for “Schindler’s List” and “Saving Private Ryan.” But his latest effort, “The BFG,” failed to recoup its costs at the box office. This weekend in the U.S., Universal Pictures releases the first movie from its pact with Amblin, “The Girl on the Train,” based on the best-selling mystery novel.
— With assistance by Christina Larson, Anousha Sakoui, and Lulu Chen
Alibaba Pictures Group Ltd. is buying a stake in Amblin Partners, the production outfit backed by Steven Spielberg to work together on production, marketing and distribution both globally and in China. It’s the latest in a spree of deals over the past two years intended to help U.S. studios tap what could soon be the world’s largest box office, while hopefully imparting a little of that Hollywood movie-making magic to increasingly ambitious Chinese households.
The agreement with Spielberg’s storied studio marks Alibaba’s and Ma’s most comprehensive production effort to date. The company has been selective so far, preferring to invest in select films such as the latest installment of the “Mission Impossible” franchise, in return for an equity stake and the right to stream it across internet giant Alibaba Group Holding Ltd.’s various online services.
“Among Chinese consumers, there is an increasing demand for premium global content," Ma said in an e-mailed statement. "This collaboration can serve as a cultural bridge and have a positive impact on the next generation of Chinese consumers.”
Board Seat
Alibaba Pictures will also name a representative to sit on the board of Amblin Partners, a content creation company formed by DreamWorks Studios, Participant Media, Reliance Entertainment and Entertainment One. Spielberg is the Chairman of Amblin Partners.“We intend to make six to nine movies a year, ” Amblin Partners President and Co-Chief Executive Officer Jeff Small said Sunday at a launch of the tie-up in a downtown Beijing skyscraper’s ballroom. The films would be distributed by a network that included Universal Pictures Ltd. China had the “fastest-growing demand in world.”
Ma and Spielberg appeared together at the launch.
“There’s a lot in China that’s becoming more and more known, through media ... and China’s tremendous renaissance,” said Spielberg, who was part of a crew that shot the movie “Empire of the Sun” in Shanghai in the 1980s. He said he wants to “bring more of China to America and more of America to China."
Ma told the launch he’s not personally trying to envision movies of the future, but “my job is using technology to support these guys.”
China has been a focus for Hollywood studios in recent years as the U.S. film market has stagnated. In 2015, China’s box office totaled $6.8 billion, up 49 percent from the previous year, according to consulting firm Artisan Gateway. The North American box office had its biggest year in 2015 at $11.1 billion, according to the Motion Picture Association of America.
American studios have been looking to Chinese partners for funding and ways to maximize their revenue from a country that limits the number of foreign firms exhibited annually at 34. That aligns with the ambitions of a coterie of local media houses that are in turn trying to hone an ability to reach worldwide audiences, and hasn’t been shy about paying for it.
‘Jurassic World’
Fellow Chinese billionaire Wang Jianlin’s Dalian Wanda Group Co. has been among the most aggressive in its overtures. It bought “Jurassic World” co-producer Legendary Entertainment and has agreed to co-finance and market releases in China for studios including Sony Pictures. Wanda, now said to be eyeing Golden Globes show-runner Dick Clark Productions, also runs the world’s biggest chain of movie theaters after buying AMC Entertainment. Other Chinese players investing in studios include Fosun Group and Huayi Brothers.But the rapid pace of acquisitions has some in Washington spooked. Lawmakers have called for an overhaul of regulations to give the U.S. greater ability to scrutinize and block Chinese investment in U.S. media, as well as force lobbyists acting for the Chinese to register their interests.
In December, Spielberg brought new life to his production company DreamWorks Studios, renaming it Amblin Partners. The director of “E.T.,” the biggest-grossing director in history, raised $800 million in debt and equity from banks and partners Reliance Group, Participant Media and Entertainment One. As part of the deal, Amblin’s films will be distributed by Comcast Corp.’s Universal Pictures rather than Walt Disney Co.
Spielberg’s been honored with more than a dozen best-director and best-picture Academy Award nominations, winning for “Schindler’s List” and “Saving Private Ryan.” But his latest effort, “The BFG,” failed to recoup its costs at the box office. This weekend in the U.S., Universal Pictures releases the first movie from its pact with Amblin, “The Girl on the Train,” based on the best-selling mystery novel.
— With assistance by Christina Larson, Anousha Sakoui, and Lulu Chen
Actor Gary Sinise to attend 75th Pearl Harbor commemoration
by Katie Murar
An 11-day event is planned to commemorate the 75th anniversary of the Pearl Harbor attack.
The
theme of the event, which is being organized by the 75th Commemoration
of Pearl Harbor Committee, is "Honoring the past, inspiring the future.”
It will include concerts, movies and galas to commemorate the remaining survivors of the attack.
A new documentary, "Remember Pearl Harbor,"
will debut at the Pacific Aviation Museum on Dec. 4.
Actor Gary Sinise
& the Lt. Dan Band are scheduled to perform at Waikiki Beach on Dec.
5 prior to an outdoor showing at the beach of "From Here to Eternity."
The official commemoration will be televised nationally and shown at New York City’s Times Square on Dec. 7.
American Airlines will sponsor a round-trip flight carrying about 120 Pearl Harbor survivors from Los Angeles to Honolulu on Dec. 3.
“Because
of American Airlines, the last of the Pearl Harbor survivors and World
War II veterans who experienced the emotional awakening on Dec. 7, 1941,
have an opportunity to be together at the sacred place where World War
II began,” said Adm. Thomas B. Fargo, chair of the committee.
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